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Canonbury
4a old summerhouse 1526 and Prior Bolton’s rebus – shows was the garden area of Canonbury House
The later houses have lush naturalistic foliagedecoration to doorcases and window guards.
Especially grand Italianate examples where the gardens back on to the New River.
Alwyne Square
St.Paul like St.John’s, Holloway Road, similar to the point of confusion. Vaulted tower hall – and tower sited for the corner of Essex Road. Under conversion to a Steiner School.
St.Paul’s Shrubberies area of Barr Nurseries
Turnpike at St.Paul’s Road corner
146,
175-191 Prospect Place
198 formerly St.Paul’s Mansions. Beehive trademark of builders Studds and Sons of 1891,
212-5 Banning blacksmiths
233-261 North Place
Canonbury
Means 'manor of the canons'—namely those of St Bartholomew's, Smithfield, to whom the land was granted in 1253 by Ralph de Berners The formation of manorial names by the addition of -bury is frequently found in Middlesex. ‘Canonesbury’ 1373, ‘Canonbury al. Canbury’ 1570.
St.Stephen 1858 thin & papery. Yellow brick with crude early English motifs. Crazily pierced bell opening bombed. By Inwood & Clifton. A starved octagonal tower of stone with spire and flying buttresses detail was lost in damage. The nave was lengthed in 1850 and side windows altered by Gough, who added porches since removed. Reconstructed after war damage A. Llewellyn Smith and A. W. Waters, 1957-8; the interior turned with new vestries and chapel behind the altar jazzed up by a neo-Baroque wall painting Martyrdom of Stephen by Brian Thomas. Opposite, a stained glass window by Carl. Edwards, above the late c19 reredos which is the trace of the original church left inside.
Halls
Vicarage 1968-74 by Maurice Taylor, quite a bold group behind the church
Here development was begun in 1837 by Charles Hamor Hill and took the form of villas in a more spacious setting. First impressions, though, are an outer-suburbia, because of the large number of small post-war houses and blocks of flats. smaller houses on the side;
50-52 has stuccoedpilasters.
44 Myddleton Cottage of 1850-2, is rustic Italian in yellow and red brick,
Downham Court
Southgate Court
The Ridge
96
98
Elmore Street
Was James Street. Much of Thomas Scott's land along the Lower Road towards Ball's Pond was dug up to become extensive brick-fields – which were here. The 1819 rate books show only five houses here, three of them occupied two empty' 1821 Scott’s name rated for Cables andland - the latter doubtless the brick-field site
Essex Road Station. 14th February 1904. Between Highbury and Islington and Old Street on Great Northern Railway. Built by the Great Northern and City Railway on its underground route between Finsbury Park and is station at Moorgate. . It had 16’ diameter tunnels to take main line stock and Great Northern Line trains to the City. In 1913 it was taken over by the Metropolitan Railway and then became part of the underground as the Northern Line. In 1922 the name was changed to ‘Canonbury and Essex Road’ . In 1939 work had been done as part of the Northern Heights scheme, which was then abandoned. So remained as part of the Northern Line. Underused and neglected. In 1975 the Northern Line closed it and the station transferred to British Rail and in 1976 it reopened for main line trains from Finsbury Park to Moorgate. By comparison with other underground stations the station's surface building is nondescript and unremarkable. It was never modernised and access to the platforms is by or a dimly lit spiral staircase.
292 was a ‘Palladian floor cloth factory’. Owned by Samuel Ridley and then was a beer bottling factory. Then Islington Planning Department. Ridleys had been built orThomas Scott s land in 1812, originally for Mr W. Weaver, and then passed to CharlesPugsley, and in 1819 was bought by Ridley, one of the trustees of St Mary's parishand opened as a floor-cloth manufactory. Ridley, described variously as "upholstererworksman and floorcloth manufacturer", and subsequently his son, held it in successive partnerships - with Ellington and Whitley - until 1893. It was then acquired byMr A. Probyn, a beer bottler, whose own firm, founded in 1791, continued here until 1958 when Foster & Sons became Foster Probyn Ltd In1962 the family brewers Young & Co. took over, but shortly outgrew the premisesand in 1972 removed to Wandsworth. Islington Council took over and restored the exterior and converted the building for the Borough. The tall four-storey Palladian building, pedimented andbalustraded above an Ionic pilastered front, was originally without openings abovethe circular-headed windows on the ground floor, except for a single thermal window just below the parapet. It was disfigured, however, by a mass of writtenadvertisement all over its blank walls, with Ridley's name at the top in place of afrieze, and a string of the items which might issue from its interior to customers order: "Virander Awnings and Portable Rooms", to say nothing of orders for theRoyal Family. In this century, when it was a bottling factory, the ugly lettering hadgiven way to two picturesque giant ale and beer bottles, one on either side. At itsrestoration, many people saw these removed with some regret. It has now beenprovided with Georgian-style windows on the first and second floors, and theclassical porch, which formerly adorned the entrance, has long been removed. Thebalustrade adorned with stone balls has fortunately survived.
294-300 Barrossa Crescent In 1822 these six houses are name,Barossa Place of which one is owned by Thomas Wontner of the new TibbertonSquare and Samuel Ridley's linoleum manufactory appears Ridley moved to a villa in Barossa Place, next door to his works and just short ofthe brickfields. The misspelling may not have been Ridley's but that of C. Barrow, a keen local water-colourist who assiduously if pedestrianly recorded many Islington buildings in 1824 and Barossa Place consisted of half-a-dozen pretty bow-fronted semi-detached with small gardens in front, named after a Thomas Barossa.
294 Ridley's houseBarossa Lodge. A contributor to the Sydney Morning HeraldSeptember 1961 (Edward Robinson) recalled living there with his father, Mal;Joseph Robinson, an Irish doctor, from 1906-1911, when the house had a lion’s-head knocker, bell-pull, and large lamp above, with a brass speaking-tubewhich connected with his father's bedroom. This contraption was known asMedical Man's Midnight Friend. The house was full of ornaments brought by his father from India, and in the back garden among other joys a century-old mulberry tree. Returning to his boyhood home in 1961 was a melancholy experience: the house abandoned, dirty, peeling paint and wallpaper, the window veranda gone - fallen down in the blitz, said a kindly old lady he met there. Of the mulberry only a stump remained. "No willow tree, either, no lawn, nogravel paths, no conservatory, no strawberry beds. Nothing but an ugly factory building which had taken over half the garden.” In 1962 this dismal saga ended with demolition of the four houses, to be replacedby considerably higher Council flats sited without reference to the street-line.
246-90 Annett’s Crescent 1822-6. The stylish little Annett's Crescent of 23 houses is unique in Islington, if notaltogether. The Lower Road, acquired by Thomas James Annett from the landowner Thomas Scott, close to the New North Road, built it on a strip of land. Thearchitect was William Burnell Hue, of whom practically nothing is known save thatfrom 1801—9 he was a pupil or assistant of William Jupp, junior, who was architect tofour City Companies and also district surveyor to several east London parishes. When Annett's Crescent was begun Hue was living in Bloomsbury, and isrecorded as having designed the "grand quadrangle" in front of Carlton House. HisIslington crescent certainly has touches of a rather Cubitt-like ingenuity. A Plan of 1805/6 shows one large meadow of Scott's as extending south an old tea garden at the extreme limit—of the field a tiny sliver of land is marked off, which was later to accommodateAnnett s Crescent. The stratum of red or brickmaker's clay occurring below Islington proved lucrative in the great 1820s building boom. The crescent is first named' with three houses, all empty and evidently new by 1825/6 these are occupied, and seven more are built. This far-flung Islington outpost, bordering on the country, took on a curiouslyindustrial aspect with its brickfield and several factories. All in all it is gratifying that Annett's Crescent has survived through the chequered 'fortunes of this part of Essex Road. In the 1970s the Council rescued and restored the houses, and rehabilitated the strip of garden in front. The latest London maps spellthe name "Annette Crescent,” which, if not a careless misreading, ranks with thebrewers' irrelevant alterations of the traditional names of old pubs. The order of building Annett's Crescent seems to have been centre first (threehouses), then pavilion ends, then infilling the rest. The crescent is in symmetricalterrace-form; the three centre houses slightly advanced, with 'pavilion' blocks ofthree at each end, the outermost houses with side entrances. The houses are stuccoed throughout, ground floors in simulated ashlar,with all ground-floor features round-headed. Front door and window positions arereversed at the house near the centre, making a lopsided effect. Unusually for Islington the upper floors have single windows, in shallow segmental recesses, with narrow cill bands between and flat parapet above, originallybalustraded. First-floor windows are 4-light; floor-length, with simple window-guards, and the top floor — uniquely for the area — are small casements with marginpanes. The pavilion ends have balconies with unusual decorative wheel-like motifs. Fanlights are simple, circle and flat teardrop; most ground-floor glazing is nowplain. Altogether Annett's Crescent resembles no other contemporary survivals inIslington, except some of Cubitt's to a certain extent, like Manchester Terracethough some of the early surrounding streets havenice variants on the terrace form, such as Rotherfield Street, Annett's is the only early crescent in the parish.
294's has a smallextension.
Baths built on the site of hat manufacturer, Thomas Wontner’s mansion
Housing - ok. Looks nice with the New River
V2 at the junction of Mildmay Avenue with Mildmay Street
Mildmay Library. 1954. Cheap and cheerful. Dazzling primary colours. Reclad. 1990 by Chris Purslow, Borough Architect, in white tiles Glazed lean-to reading room added along the back, overlooking a play area
Mildmay Tavern 1884
Northampton Park
Terraces as part of the Marquess Estate scheme. Street-names in the vicinity of Canonbury House recall the former manor20 and its owners the Spencer Compton family. Marquesses of Northampton
5 L-shaped, S-facing, walled garden. Different areas are constantly evolving, divided by yew and lavender hedging and black bamboo. Planting leans toward foliage and leaf shade with Mediterranean influence.
Northampton Street
Street-names in the vicinity of Canonbury House recall the former manor20 and its owners the Spencer Compton family. Marquesses of Northampton
Horsfield House
Newbery House
2 Danneman, piano manufacturers
Was Little Sutton Street
Little Sutton St, 2 Richard & Miss Jane Hart, manufacturing chemist 1853
Southgate Road
Pathway opposite Wallace Road. Old course of New River still with water in it. Continues on to Northampton land
Tibberton Square is doubly an oddity: architecturally, having never had a fourth side,and historically, as the creation of one man for philanthropic reasons. The originator was Thomas Wontner (1747-1831), who in 1771 moved from hisnative Herefordshire with his young wife and brother John to become an apprenticehatter in London, while John entered the watch and clock trade. In the year beforetheir move, Thomas had married Margaret Lowe, a girl whom he first met at churchin the village of Tibberton, in Worcestershire. Both brothers later set up independently in the Minories, prospered, and were eventually joined in business by their sons. Thomas became a Freeman of the City, a Liveryman, and in 1793 Master of the Worshipful Company of Feltmakers, an office he was to fill again the year before his death. Of strong religious persuasion, he was for over 40 years (1782-1823) Manager and Controller of the Countess of Huntingdon's City chapel, in association with the reformer William Wilberforce, and was a founder of both the London Missionary Society and the British and ForeignBible Society. Wontner extended his hat-making works by opening a large fur manufactory in rural Islington, where he employed nearly 60 men and women for "separating and sorting the hair of beaver, seal and other skins", ready for making into hats and other goods. The factory was near the foot of Greenman's Lane. Next, Wontner built himself a family house with a large front garden near his new factory, and after living in the City for 37 years, moved there in 1808. In 1812 the New North Road, connecting Canonbury and the City, cut south across the Lower Road very near his factory and house, close to the eastern tip of St Mary's parish. Towards Ball's Pond, a little beyond the Lower Road intersection, in 1819 a few streets were built including Annett's Crescent. The rest was open country, and south, f the fur factory stretched a space named Islington Common. Wontner's wife died in 1823. Not long afterwards he decided to build houses onthe garden in front of his villa. The area was irregular, rhomboid, rather than rectangular, with the villa on the western edge near its top corner. The result was Tibberton Square, as Wontner nostalgically named it in memory of his first meeting with his beloved wife. It consisted of two east-west terraces of unequal length with a garden, strip between, a couple of larger houses at the north-west corner because of the extra length on that side, and (apparently) four others linking with the villa to form the' short west side The fourth side was never built on, but was closed by ornamental railings and wrought-iron gates like theexclusive Highbury Place, leaving a vista to the south-east. The family villa was attractively fanciful, its central front door flanked by Venetianwindows with large shutters, another pair of Venetian windows on the first floor, andtwo 'thermal' windows or lunettes on the top floor above a broad string-course.. By the 1870s the area was under pressure for building, with Peabody Squarebuilt in four blocks in 1866 and Greenman Street from 1873. Then pulled down for the baths. Perhapsfor this reason, in 1896 the rest of the square was sold as nos. 1-12 and 18-29, for£8,645. Later members of the Wontner family tried, unsuccessfully, to re-acquire anyof the property. The houses now went down in the world. Like much other local property theycame into multiple occupation, and during the Second World War the enclosinggates and screen were pointlessly removed, as were most railings at the time, forillusory scrap metal collection. Although the square's worth was recognised by its inclusion in 1968 in the St Peter's Ward conservation area, by 1970 only three of its houses were in single-family occupation, 46 households had no baths, and 28 no water supply. In January1970 the square was acquired by the Council as one of 19 streets designatedfor face-lift, and restoration was carried out by the architects Andrews Sherlock &Partners, and the building group D. J. Higgins & Sons Ltd, and completed in June1979. The size of the houses made them inconvenient for single families, yet toosmall for conversion into individual flats. The 24 houses were therefore converted ,laterally, leaving the elevations unaltered, to make 36 two-bedroom flats and 12one-bedroom, accommodating 132 persons. The central sloping garden was newlylandscaped, and levelled by several feet at the western end to admit light to the dark basements. The railings were renewed. Parking was banned, and access to thetwo terraces limited to pedestrians. By the conversion, which cost £850,000, alternate front doors gave access to the ground floor and to the stair. The completedconversion was one of nine in the London area highly commended in a DOIT;competition (1980). Merlyn Rees, one-time Home Secretary, opened it in July 1979. Among those present was Thomas Wontner's great-great-great-grandson Sir Hugh Wontner, former Lord Mayor, chairman of Claridge's and theBerkeley Hotels and a past Master of both the Worshipful Company of Feltmakersand the Worshipful Company of Clockmakers. Sir Hugh's son Giles Wontner is senior partner of the City firm of solicitorsWontner & Sons, of Broad Court, Bow Street, founded by another Thomas Wontnerwho was grandson to the Tibberton Square Thomas's brother John. Thus the twobranches of the family unite in the head of that firm. Architecture is Starkish: 3 storeys and basements, in brick, no stucco, and no window-guards. Fronts areplain except the broad course above the basement. Ground-floor windows areround-headed, fanlights are the wreath-like double circle studded with florets,framed by teardrop segments. Those on the south side are renewals, but withoutflorets. The blind east fronts are finished with blank window recesses and entrances to the end houses are placed on these fronts. he terraces are raised on steps due to the fall in ground level from west to east. Thebacks, with only tiny gardens or yards, are rather more barrack-like than the averageIslington terrace.
11 In 1851/2 at II lived Richard Braine,great-grandfather to Sir Bernard Braine, MP b. 1914 he died there aged 55 in 1852,and his wife and daughter continued to live there for a time.
13 front entrance different to the others
13-17 linking villas , not quite at right angles.
13-24 north terrace was re-numbered to run consecutively, 13-24.
28 From the square's first occupation, in 1827, Wontner's sons and daughters lived atno until long after their father's death. The last daughter, Rebecca, died there,unmarried, in 1859. Thomas junior, who succeeded his father in the business and diedwithout issue in 1851, was followed by his brother Joseph, whose son Algernon, astockbroker, inherited in 1867.
Wontner CloseBaths In 1894 ground wasrequired for building public swimming-baths under the Baths and Wash-Houses Act(1846-7), and unfortunately the whole west side of Tibberton Square, including theWontner villa, was razed. The new baths on the site were opened in 1895. Later the Greenman Street Baths themselves were closed anddemolished, and in 1987 Wontner Close, a group of flats designed by the Council'sArchitects' Department, was built on part of the site, merging agreeably with the endof the square. The heights are pleasantly varied, and an interesting central staircasecleaves through a rift in the main building. West of the flats, the iron trusses from oneof the swimming baths have been left in situ, and, painted a bright blue, greatlyenhance the small recreation ground created on the rest of the space.
1 Hope Villa,formerly FrankfortVilla, the New River's pre-1870 alignment is seen in thelong narrow garden behind this house built 1881.
Part of Frog Lane – the old road from London to Highbury. Laid out in the 19th. Crosses over an old line of the New River;
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